Follow Joey as he learns more about living through the game of golf than he ever could on a therapist's couch. Learning to Live One Golf Swing at a Time is a look at the way golf grabs a hold of the player and becomes more than just a game. You can enjoy your own life more when you understand what the game you love to hate can truly teach you.
How far do you want to hit the ball? If you're like everybody else, your answer is "just a little farther." Then "More Golf Swing Speed" is the Quick Guide for you. It focuses on the downswing-how you load the shaft at the top of your backswing and unload it at impact. It helps you understand both how to make the correct moves and how to avoid the incorrect ones: ** "Hold" or even increase your wrist cock during the downswing ** Avoid casting from the top ** Develop maximum clubhead speed as you near impact ** Learn how Hogan's supinated wrist position works ** Create a downward strike on the ball that prevents flipping ** And more! There are no secret tricks to creating clubhead speed, and you don't need expensive training aids to create solid strikes on the ball. All you need is a clear understanding of what your club does during your downswing and how you can cooperate with it to get the most clubhead speed possible. All you need is "More Golf Swing Speed."
Golf is a simple game. All you have to do is scrape the grass under the ball, to the target, with the clubhead face facing the target. This book is about swinging the front arm (nearest the target as a pendulum. This is a natural move. Most golf teaching stress body manipulations in the hope the club will come into the ball and scrape the grass under the ball to the target with the face of the club facing the target. This does not always work. This book is about the laws of the pendulum and how to gain control of your game with long and straight shots.
This book works with two contrasting imaginings of 1960s London: the one of the excess and comic vacuousness of Swinging London, the other of the radical and experimental cultural politics generated by the city's counterculture. The connections between these two scenes are mapped looking firstly at the spectacular events that shaped post-war London, then at the modernist physical and social reconstruction of the city alongside artistic experiments such as Pop and Op Art. Making extensive use of London's underground press the book then explores the replacement of this seemingly materialistic image with the counterculture of underground London from the mid-1960s. Swinging City develops the argument that these disparate threads cohere around a shared cosmology associated with a new understanding of nature which differently positioned humanity and technology. The book tracks a moment in the historical geography of London during which the city asserts itself as a post-imperial global city. Swinging London it argues, emerged as the product of this recapitalisation, by absorbing avant-garde developments from the provinces and a range of transnational, mainly transatlantic, influences.
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